Cinematography-wise, pacing-wise and storytelling wise, it was a lot of fun, especially with the filmmaker’s choice of background music that gave the film a eclectic retro feel. It was a well crafted film although it was also tinted with the director’s views. Again, its not going to be a film for everybody. So if you are sensitive about the issue of religion or faith, you might want to brace yourself before sitting down to watch Kids on Fire.
The film was simple but its main strength was its sincerity. It talked about something we can all relate to during this difficult time. At the end of the movie, we all want to reach out to give Lola and Eli a great big hug.
All in all, Ang Pagdadalaga ni Lola Mayumi was an effective tongue in cheek take on sex, virginity and everything in between. Bottom line, see a therapist when you need to so you don’t spend close to P10,000 for services not rendered. LOL.
Kudos to the cast for bringing their A game to each role, big or small. Even the extras looked creepy and untrustworthy. Overall, a thumbs up for Out of Body. Hopefully, this serves as a lesson for everyone to listen to their instincts against dangerous situations. It was harrowing to watch Kelley helpless and alone, all while feeling trapped in the same situation the entire 15 minutes that the film was rolling too.
additional scenes could have helped with telling a fuller, more complete tale. Still a good effort from director James Fajardo.
Apart from the message, the use of the 360 degree camera gives the film a unique and surreal feel. It contributes to the feeling of Arjan being in control of his environment. The background music also shifts to a more upbeat tone as the film progresses and as Arjan unlocks more discoveries in his little planet. It gives the film a sense of wonder and adventure and helps the the audience grow more excited for Arjan and his exploits.
Director Alphie Velasco’s Kawatan sa Salog succeeded in getting its message across but it lacked the whimsy that one normally expects in a film with a child as a main character. All in all, I guess that’s still the best compliment I can offer for this uncanny redemption piece.
All in all, I loved that Crossing, like its title, straddled the gray area that connected good and evil, black and white. In its quiet approach, it compelled the viewers’ mind to run rampant with possibilities. This is something quite astounding to accomplish in such a short period.
It’s a good takeaway, that despite our sense of isolation, we can reach out to others and ease our burdens as we deal with this challenge together. Despite its heavy content, Maski Papano was fun. It was simple yet it held a power borne from creativity. I loved it. Congrats directors Che Tagyamon And Glen
all, Deep was a tale of caution that if things seem too good to be true, they probably are. If only for this lesson, its worth watching.
