Personally, apart from my dismay that the entire first season was set up as a bait for a second season of Hellbound, I was still a big fan. Hellbound was not just a conversation about religion and morality but it also talked of corruption and desperation. It expounded on the concept of free will and how humankind regards it in their daily lives. It left the conversation wide open on the gray areas between good and evil. It prompted a lot of reflection, and its a huge thing for a supernatural series to hit its mark so deeply that its message resonates and applies to the real lives of the audience.

Props to lead star Matilda Ana Ingrid Luz (that’s a mouthful) and co-directors Roberto De Feo and Paolo Strippoli who also wrote the screenplay with Lucio Besana. They really made the film stand out. It delivered its fair share of scares and you really feel for the female lead in her struggle to survive. I think that is what is lacking these days — a rootable main character that viewers can really get behind. In this sense, the film was a success and put itself alongside some of the more memorable horror features released during the pande