All in all, The Whole Truth was a borefest that took pride in ripping off classic horror classics and made no apologies for being a copycat. It wasn’t even flattering to the original material. In all fairness, filmmakers tried to do their best. Unfortunately, the film already sank before it could start floating because everything about it was so subpar it was ridiculous.

After fearing the zombies for the better part of two seasons of Kingdom, Ashin of the North made me want to root for them somewhat because of this special episode. As usual, I was blown away by everything, from the production, to the story (Kim Eun Hee), to the masterful direction (Kim Seong Hoon) — and to think this was shot during a pandemic. Amazing. The level of badassery in this installment was nothing short of masterful. Bravo! Well done, Netflix!

Props to lead star Matilda Ana Ingrid Luz (that’s a mouthful) and co-directors Roberto De Feo and Paolo Strippoli who also wrote the screenplay with Lucio Besana. They really made the film stand out. It delivered its fair share of scares and you really feel for the female lead in her struggle to survive. I think that is what is lacking these days — a rootable main character that viewers can really get behind. In this sense, the film was a success and put itself alongside some of the more memorable horror features released during the pande