All in all, Deleter had some great moments but it was not enough to offset the frustration of a subpar story that relied on hype and not substance. The one good thing that came out of it though is that it seems that Nadine has finally found her niche. Horror suits her well, in particular, psychological thrillers. Her acting plum for her performance was well deserved, I should say.
I think that Re/member was trying to go for the same formula as South Korea’s All of Us Are Dead. It could have worked if it was released as a series, with more time to delve into the backstory of the Red Person, and the rest of the group, perhaps even the first batch of Body Searchers. However, the length of a feature film is not enough to do everything the movie sought to do and by its end, it seemed like an overly ambitious fragmented ball of mush.
I was really excited when I heard that Evan Peters landed the role of Jeffrey Dahmer, one of […]
As with every zombie film or series, there are characters whom fans root for but there are some […]
All in all, The Whole Truth was a borefest that took pride in ripping off classic horror classics and made no apologies for being a copycat. It wasn’t even flattering to the original material. In all fairness, filmmakers tried to do their best. Unfortunately, the film already sank before it could start floating because everything about it was so subpar it was ridiculous.
All in all, Blood Red Sky was an interesting addition to the vampire genre. I hope this will inspire the same level of suspense for future offerings. You can always have more tricks up your sleeve even if you are working with an time-worn trope like vampires.
After fearing the zombies for the better part of two seasons of Kingdom, Ashin of the North made me want to root for them somewhat because of this special episode. As usual, I was blown away by everything, from the production, to the story (Kim Eun Hee), to the masterful direction (Kim Seong Hoon) — and to think this was shot during a pandemic. Amazing. The level of badassery in this installment was nothing short of masterful. Bravo! Well done, Netflix!
Props to lead star Matilda Ana Ingrid Luz (that’s a mouthful) and co-directors Roberto De Feo and Paolo Strippoli who also wrote the screenplay with Lucio Besana. They really made the film stand out. It delivered its fair share of scares and you really feel for the female lead in her struggle to survive. I think that is what is lacking these days — a rootable main character that viewers can really get behind. In this sense, the film was a success and put itself alongside some of the more memorable horror features released during the pande
A vlogger recently edited Rico Blanco’s Yugto as the opening theme of the hit Pinoy anime Trese on Netflix, and unsurprisingly, the results earned a thumbs up from netizens.
ecalled keeps audiences on their toes from start to finish and while there were many twists and turns along the way, it was a story about an unselfish love. It was a great film. Beautiful, tragic, but executed perfectly.