All in all, Deleter had some great moments but it was not enough to offset the frustration of a subpar story that relied on hype and not substance. The one good thing that came out of it though is that it seems that Nadine has finally found her niche. Horror suits her well, in particular, psychological thrillers. Her acting plum for her performance was well deserved, I should say.
All in all, The Whole Truth was a borefest that took pride in ripping off classic horror classics and made no apologies for being a copycat. It wasn’t even flattering to the original material. In all fairness, filmmakers tried to do their best. Unfortunately, the film already sank before it could start floating because everything about it was so subpar it was ridiculous.
U-Turn was horrifying for the wrong reasons. It was a threat not to the audience’s pulse rate but an assault on their intelligence. Horrible. Simply horrible. Sorry Kim and JM, I love you but your movie sucked.
Eli was a solid addition to Netflix’s original horror films. While it was not an entirely original concept to blow audiences’ minds, it knew what it wanted to achieve and did not stray the course with excessive bravado. It just delivered a well executed horror movie that shocked and scared in all the right places. That’s all we can ask for.
From the time I first saw the trailer of Amazon Prime’s adaptation of The Boys, I knew I […]
I would have to say that Ulan will not be a film for everybody. Its success or failure is relative to the audience’s taste. One thing is for sure, though. Its an unforgettable film that challenges convention and its one brave movie for going against the norm.
All in all, Bird Box was a cross between an M. Night Shyamalan and a John Kransinki brainchild. I know you would agree once you’ve seen it. The vibe is too strong it is undeniable. Not too shabby, this thriller, and passing marks all around. I would disagree with anyone who will way that its all just hype though. Bird Box was pretty good on its own. Not the best, but still good.
All in all, Veronica is not a hard core horror film but it was well made and took its time to establish an affinity for a strong central character in the titular role. You can’t watch this film and not feel for her.
All in all, I have no doubt that The Haunting of Hill House has set a new bar for horror franchises for television with this 10-episode series. No cheap thrills for this one, but it gets viewers invested in the characters and makes them care what happens to these unfortunate souls after all they have been through. Its dark and sinister and its refreshing at the same time. Its weird to describe it like that but that’s that.
The movie reveals just enough information to keep the audiences engaged and follows up with a lot of scary supernatural moments distributed throughout the movie. The Autopsy of Jane Doe was sufficiently gory, effectively scary and competently executed. It didn’t go overboard but rather built on the film’s strengths brick by brick. By its end, audiences are flabbergasted but in a good way. Definitely not for the faint-hearted, though. Great practical effects too, by the way.